Florian Maier-Aichen
Florian
Maier-Aichen was born in Germany in the year 1973. He attended college in
Germany but then realized that in their culture, photography was viewed as a
hobby or side interest. He saw the art being created at that time in California
and decided to move to Los Angeles. It was in Los Angeles at the University of
California that he received his MFA.
A photographer by nature,
Maier-Aichen bases his work in photographs, but then paints, draws and imposed
images on top of the original images. He moves away from the basis of photography,
which is documentation, and rather creates a fictional world. His work is not
what you think of when you think of fictional photographs. His artworks from
afar and even close view look real. In the series that I looked at and was
elaborated on in “Fantasy” on pbs.org, Florian Maier-Aichen was talking about
how he finds inspiration in antique postcards. These old post cards were often
re-copied, in other words, the images on them were so cliché and seen time and
time again. He stated that the more images in one spot, more the reason for him
to take yet another. The post cards were also un-realistic. Maier-Aichen was
shown on http://www.pbs.org/art21/artists/florian-maier-aichen
shooting an image he once saw on an old postcard. It was a skyline of a city
with water in the foreground, originally there were approximately 15 light
sources, in recent days there were far more as well as a change in the
landscape due to tearing down of old warehouses. He talked bout how he would go
in post-production and alter the image more to make it closer to the original
as well as take out parts he did not like.
He shoots
with an old style glass plate camera. Not a 35 mm point and shoot or DSLR. This
method reminds me of Sally Mann. His camera seemed to be very similar as hers
and his end images remind me of her work. The type of camera they both use
allows for error. The camera is not secure so it allows light leaks and random
affects. He prints and presents the photographs in a large scale. He wants the
viewer to see every detail. He said that he wanted people to get lost in one
corner and not to become distracted by the other.
Florian
Maier-Aichen expressed that taking the photos is only half the work. When
choosing the framing of the image, he likes to cut the frame in half by a
natural line. Whether that be a horizon line or a skyline or other naturally
occurring lines. He takes wide angles
landscape images or aerial shots. All the images are highly thought out and
representational. He conducts a large amount
of postproduction alterations to his photos before they are finished. His goal is
to “create idealized painterly landscapes” as well as a finished image with a
representational upper part and an abstract lower part. He even works with tri
color photography to restore and reinvigorate the classic nature of
photography.
Florian
Maier-Aichen’s work relates to mine in the purest fact of photography, but also
by his idea of re-photographing the norm and the already seen. I as a
photographer am ok with photographing things that people are used to. As long
as something is different, new or interesting. To create a lot of his images he
takes night photos and those require long shutter speed much like the images I
have taken for this first project. I do find more contrasts with his work then
similarities. I do not draw over my images in postproduction. I do not highly
alter my images in postproduction. I do minor corrections but never painting
and drawing on top of things. I do find it very interesting though, his ability
to keep the images appearance real. Even though he has edited and drawn over
the image, from a distance it looks real. What I take from Florian
Maier-Aichen, in relation to my art work, is that I could try to play around
with my images more and use cameras that allow for error and it will still turn
out to be an interesting photograph.
When looking
at Florian Maier-Aichen’s work I believe that some are very strong where others
fall short. I like the landscape and aerial images where it looks more real.
There is such a great level of detail within the image that I could analyze
them for hours and still miss details within the images, such as Aus Ven, 2011. Then looking at his far
more edited images such as Untitled, 2007,
it just is too unreal to me. I think he is strong as deciding what to edit and
how to construct this different reality but in some cases when it is taken to
far it loses the reliability and truth behind photography.
http://www.pbs.org/art21/artists/florian-maier-aichen
http://www.303gallery.com/artists/florian_maier-aichen/index.php?iid=11260&exhid=63&p=img
http://www.timeout.com/newyork/art/review-florian-maier-aichen
http://video.pbs.org/video/1281753428
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